Verbiage with a V
Here is the transcript of the grandiloquent verbal hyperbole (interesting though!) from the film, “V for Vendetta“, adapted from David Lloyd’s graphic novel of the same name which was set against the futuristic landscape of totalitarian Britain. The movie tells the story of a mild-mannered young woman named Evey who is rescued from a life-and-death situation by a masked vigilante known only as “V”. Now to the prose!:
Evey: Who are you?
V: Who? Who is but the form following the function of what and what I am is a man in a mask.
Evey: Well I can see that.
V: Of course you can. I’m not questioning your powers of observation I’m merely remarking upon the paradox of asking a masked man who he is.
But on this most auspicious of nights, permit me then, in lieu of the more commonplace sobriquet, to suggest the character of this dramatis persona.
VoilÃ ! In view, a humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of Fate. This visage, no mere veneer of vanity, is a vestige of the vox populi, now vacant, vanished. However, this valorous visitation of a by-gone vexation, stands vivified and has vowed to vanquish these venal and virulent vermin van-guarding vice and vouchsafing the violently vicious and voracious violation of volition.
The only verdict is vengeance; a vendetta, held as a votive, not in vain, for the value and veracity of such shall one day vindicate the vigilant and the virtuous.
Verily, this vichyssoise of verbiage veers most verbose, so let me simply add that it’s my very good honor to meet you and you may call me V.
V’s intro to Evey:
- Nada nada nada
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